
In recognition of this responsibility as the subject of the portrait photograph identify the difference, for example, between a Disdéri and Nadar.
In 1963 Richard Avedon photograph CASBY William, "born a slave." I find it downright impossible to escape the vacuum of that expression, born a slave, escape the glass vacuum Likewise those eyes and in that failure, identify the correctness of the word of Roland Barthes in his saying that "the essence of Slavery is here laid bare "(Roland Barthes, Camera Lucida ). Slavery to be naked in his mask, its appearance as the memory of all the gestures of a slave, being born a slave, given once a face. The mention of the birth directs my attention to the accumulation of time which can be seen in the jaw, blows that fall curd. Then I remember that for Latinos the mask, person says the social role, to gestures that are required in the present society as free man or slave born, then too, points toward the gens , the lineage that enables them to one way or another presentation. William CASBY, injured his face, now appears as a mask even earlier, as a further memory deep, as the current manifestation of a charge or return to the act of the dead, lost lineage, names forgotten, old gestures of all slaves born.
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